Filmworker (2017)
★★★★☆
Tony Zierra’s intriguing Filmworker tells Stanley Kubrick’s assistant Leon Vitali’s story and casts a hitherto-hidden light on the great director and his working methods.
★★★★
Beast
★★★★☆
Michael Pearce’s assured feature debut Beast is a clever, feral psychological horror that constantly surprises.
The Wound (2017)
★★★★☆
The Wound (Inxeba) by John Trengove stars Nakhane Touré in a tense drama of gay male sexuality brought into focus by the traditional Xhosa circumcision rite of passage.
Western (2017)
★★★★☆
The captivating German/Bulgarian culture clash in Valeska Grisebach’s Western could only happen in the EU and it’s subversive.
A Gentle Creature (2017)
★★★★☆
Savage satire by Sergei Loznitsa in A Gentle Creature eviscerates contemporary Russia.
Wonderstruck (2017)
★★★★☆
In Wonderstruck Todd Haynes opens a cabinet of cinematic wonders as two deaf children’s stories interlink 50 years apart in the magic of New York.
The Islands and the Whales (2016)
★★★★☆
The Islands and the Whales is a stunningly beautiful, unobtrusively shot documentary by Mike Day with a narrative that takes us into the lives of real people caught between tradition and global environmental change in the remote Faroe Islands.
The Third Murder (2017)
★★★★☆
The Third Murder by Hirokazu Koreeda is a totally absorbing philosophical exploration of the nature of truth and freedom and whether they can exist, the difference between the law and justice, and whether anything differentiates murder and the death penalty.
The Square (2017)
★★★★☆
Ruben Östlund’s Palme d’Or-winning The Square is a chilling satire on the pretensions of art and Sweden’s comfortable society.
You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
The Nile Hilton Incident (2017)
★★★☆☆
Tarik Saleh’s The Nile Hilton Incident unravels a noir thriller against the political background of Egypt’s revolution in 2011.
Berlinale: Transit (2018)
★★★★☆
Christian Petzold’s fascinating present-day World War II film Transit is thematically and narratively dense, but there’s nothing dense in the way it goes about handling it.
A Woman’s Life (2017)
★★★★☆
A Woman’s Life is a beautifully staged and acted period drama by Stéphane Brizé that unfolds over decades in 19th century France.
Glory (Slava) (2016)
★★★★☆
Based on a true story, Glory (Slava) by Peter Valchanov and Kristina Grozeva is an all-too-believable satirical parable about an honest man, corruption and spin.