Cannes review: The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
★★★★☆
Netflix’s Okja is Bong Joon-ho’s and Jon Ronson’s satire-cum-expose of the genetically modified food industry through the adventures of a delightful Korean girl and an outsize giant pig.
★★★★☆
In Wonderstruck Todd Haynes opens a cabinet of cinematic wonders as two deaf children’s stories interlink 50 years apart in the magic of New York.
★★★★☆
François Ozon’s Frantz takes you on a haunting journey into the unexpected ramifications of grief, forgiveness and identity in the European aftermath of World War I.
★★★★☆
As a heart intended for transplant passes from teenage accident victim to middle-aged-mother recipient, humanity, compassion and medical professionalism triumph in Katell Quillévéré’s moving Heal the Living.
★★★★☆
An old boxer returns to the ring one last time to record a video message to his son. It’s an award-winning,moving monologue from veteran star James Cosmo in the Shammasian Brothers’ The Pyramid Texts.
★★★★☆
A sumptuous new adaptation of Sarah Waters’ Fingersmith, Park Chan-wook’s The Handmaiden is a dazzling tale of duplicity and deception.
★★★★☆
The Lunchbox director Ritesh Batra’s adaption of Julian Barness’ The Sense of an Ending is a sensitive, unflinching reflection the deceptiveness of emotions.
★★★★☆
A portrait of the poet as a young revolutionary, Terence Davies’ Emily Dickinson biopic A Quiet Passion sees a fiercely independent woman martyred.
★★★★☆
Pablo Larraín’s fictional biopic of Chile’s greatest poet creates a magical realist cat-and-mouse story that Neruda himself would have enjoyed.
★★★★☆
Aquarius is Kleber Mendonça Filho’s unhurried portrait of a fascinatingly complicated woman, meticulously characterised in a career-best performance by Sonia Braga.
★★★★☆
Get Out is actor and comedian Jordan Peele’s original horror-satire take on white liberal racism in the US.
★★★★☆
A charismatic, nuanced turn by Kristen Stewart holds together an improbable yet strangely compelling mixture of fashion and supernatural horror in Oliver Assayas’s Personal Shopper.
★★★★☆
Asghar Farhardi’s The Salesman illuminates universal moral arguments about masculinity by presenting them in parallel with a production of Arthur Miller’s stage play in contemporary Iran.