Happy End (2017)
★★★★☆
Michael Haneke’s Happy End deconstructs the internal dynamics of a wealthy bourgeois family living a life oblivious to the human beings around them, with chilling results.
Read More★★★★
Battle of the Sexes (2017)
★★★★☆
Serving well-rounded feminist statements while expertly juggling three intertwining stories, Battle of the Sexes is an outwardly reaching argument encapsulated in a tennis match.
Manifesto (2015)
★★★★☆
Blanchett and Rosefeldt have teamed up to produce a series of manifesto-based vignettes that not only ponder the subject of art, but revel in its being.
Strangled (2016)
★★★★☆
A gruesome serial killer thriller based on a disturbing true story, Árpád Sopsits’ Strangled reflects its post-revolution Hungarian setting.
Film Stars Don’t Die in Liverpool (2017)
★★★★☆
Film Stars Don’t Die in Liverpool by Paul McGuigan is a beautifully made adaptation of a true story that’s stranger than fiction
Félicité (2017)
★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
The Florida Project (2017)
★★★ύ☆
Sean Baker’s The Florida Project is a gorgeous sugar-rush adventure and a sobering study of poverty, though it leans too much on the former for the latter to leave its sting.
The Killing of a Sacred Deer (2017)
★★★★☆
In The Killing of a Sacred Deer, Yorgos Lanthimos creates a disturbingly strange and brutal dilemma.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
French Film Festival UK: The Death of Louis XIV (La Mort de Louis XIV) (2016)
★★★★☆
Albert Serra’s compelling film about the slow death of the Sun King features an extraordinary performance by the legendary Jean-Pierre Léaud.
French Film Festival UK: Wùlu (2016)
★★★★☆
Daouda Coulibaly’s Wùlu is a must-see, tense, contemporary West African thriller.
BFI LFF: The Florida Project (2017)
★★★☆☆
Sean Baker’s The Florida Project is a gorgeous sugar-rush adventure and a sobering study of poverty, though it leans too much on the former for the latter to leave its sting.
BFI LFF: You Were Never Really Here (2017)
★★★★☆
You Were Never Really Here, Lynne Ramsay’s latest film is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
BFI LFF: The Party (2017)
★★★★☆
With a whipcracking script and a stellar cast, Sally Potter’sThe Party is an uproarious comedy with a nostalgic whiff.