BFI LFF: Battle of the Sexes (2017)
★★★★☆
Serving well-rounded feminist statements while expertly juggling three intertwining stories, Battle of the Sexes is an outwardly reaching argument encapsulated in a tennis match.
★★★★
BFI LFF: Wrath of Silence (Bao Lie Wu Sheng) (2017)
★★★★☆
Doling out as many bare-knuckle blows to its characters as it does to China’s corrupt political system, Wrath of Silence is A Touch of Sin that’s not afraid to be dramatic.
BFI LFF: Stronger (2017)
★★★★☆
Stronger, directed by David Gordon Green, stars Jake Gyllenhaal in a gruelling but inspirational portrait of a man rebuilding his life after the Boston Marathon bombing.
BFI LFF: The Guardians (Les Guardiennes) (2017)
★★★★☆
Xavier Beauvois’ The Guardians Les Guardiennes is a beautiful period recreation of a time of change for women and society in rural France during the First World War.
BFI LFF: Ava (2017)
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.
BFI LFF: Lean on Pete (2017)
★★★☆☆
Andrew Haigh’s Lean on Pete is an appealing coming-of-age road movie grounded in the all-American setting of quarter-horse racing.
ZOOLOGY (2016)
★★★★☆
Russian director Ivan Tverdovsky’s black comedy Zoology is a dark satire on the invisibility of older women with a stunning central performance by Natalia Pavlenkova.
Brimstone (2016)
★★★★☆
Brimstone is an almost unbearably violent take on the Western with a strong female character at its centre.
In Between (2016)
★★★★☆
Mayasaloun Hamoud debut feature In Between is a vibrant, pacey Sex and the City look for the first time at the contemporary pressures on three young Arab women when the ‘city’ is Tel Aviv.
Kills on Wheels (2016)
★★★★☆
Kills on Wheels is director Attila Till’s surprising and touching comedy-drama take on disability in the character of a freewheeling wheelchair hitman.
Wind River (2017)
★★★★☆
Taylor Sheridan’s heart is on his sleeve in his directorial debut in gripping, atmospheric Native American thriller Wind River.
Your Name (2016)
In Makoto Shinkai’s haunting Japanese anime, two teenagers swap bodies and lives.
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Maudie (2016)
★★★★☆
Aisling Walsh’s biopic inspires a transcendent performance from Sally Hawkins as Nova Scotian folk painter Maudie.
The Big Sick (2017)
★★★★☆
The Big Sick by director and comedian Michael Showalter is a culture-clash rom-com set in Chicago that’s genuinely moving and funny – what’s more, it’s based on a real-life love story.