Certified Copy / Copie Conforme (2010)
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.
★★★★☆
A Rohmeresque ramble under the Tuscan sun, Kiarostami’s Certified Copy is a freewheeling battle of the sexes. And Juliette Binoche is in a bitter mood for love.
★★★★☆
Replacing a passive-agressive, quarrelsome maid isn’t easy, as Sebastián Silva’s comic gem La Nana shows. It’s class conflict gone the family way.
★★★★☆
With man-on-man love in a small Peruvian fishing village, Javier Fuentes-León’s Contracorriente has Latin American machismo swimming against a high tide.
★★★★☆
From chanson to reggae, Joann Sfar’s Gainsbourg is a soul-staking odyssey through Serge’s life and conquests, through Docteur Jekyll Et Monsieur Hyde.
★★★★☆
Alain Resnais, the great grand-monsieur of French cinema is de retour with Wild Grass a complex, lilting tale of the power of chance.
★★★★☆
Violent and misogynistic, Michael Winterbottom’s The Killer Inside Me adapts Jim Thompson’s noir novel to expose ’50s America’s darker side. It’s pulp friction.
★★★★☆
One day inside an Israeli tank during the First Lebanon War, Samuel Maoz’s Lebanon is much more than an ear-splitting anti-war film for the X-Box generation.
★★★★☆
Battling an oppressive regime, Bahman Ghobadi’s semi-fictional documentary is a rousing anthem to the power of music. But does it struggle to hit the high notes?
★★★★☆
With wry humour and religious austerity, Jessica Hausner’s Lourdes explores female potency as hopeful pilgrims jostle for a miracle. O, come all ye faithful.
★★★★☆
In Bernard Rose’s The Kreutzer Sonata, Danny Huston rampages through Hollywood-hued infidelity with green-eyed rage. It’s a furious symphony of Tolstoyan gloom.
★★★★☆
Taking on the arms trade with customary quirk, Jeunet’s Micmacs launches another political bombshell. But can all this salvage ever hope to hit the bull’s eye?
★★★★☆
Colin Firth mesmerises as a grieving gay college professor, but can dressing Isherwood’s novel up in a sharp new suit say anything about 21st century queerdom?
★★★★☆
With an exceptionally raw performance from Paprika Steen, Applaus is a devastatingly real representation of an alcoholic’s life on the rocks.