A House in Jerusalem (2023)
★★★☆☆
Palestinian filmmakers Muyad and Rami Alayan prick and prod Israel’s conscience about dispossession in A House in Jerusalem.
★★★
Cannes Film Festival 2024: Day 7: Monday, 20 May: The Other Way Around (2024) (Volveréis)
★★★★☆
The Other Way Around directed by Jonás Trueba is a glossy romcom in reverse with a deeper philosophy.
Cannes Film Festival 2024: Day 5: Saturday, 18 May: Universal Language (2024) (Une Langue Universelle)
★★★☆☆
Universal Language directed by Matthew Rankin is a surreal satire on provincial Canada.
Cannes Film Festival 2024: Day 5: 18 May: Most People Die On Sundays (2024) (Los domingos mueren más personas)
★★★☆☆
Most People Die On Sundays, written and directed by and starred in by Iair Said, is a very personal, heartfelt portrait of the absurdities of life and death.
Two Tickets To Greece (2022) (Les Cyclades)
★★★☆☆
Two Tickets To Greece, directed by Marc Fitoussi with French stars, is an odd-couple comedy that looks beautiful and is rather predictable.
Elaha (2024)
★★★★☆
Elaha, directed by Milena Aboyan, is a powerful contemporary story about the conflict between tradition and modernity in the life of a young girl from an immigrant family in Germany.
Omen (2023) (Augure)
★★★☆☆
Omen is multidisciplinary artist Baloji’s magical realist award-winning first feature.
Jeanne du Barry (2023)
★★★☆☆
Jeanne du Barry, which opened the Cannes Film Festival 2023, is co-written, directed and starred in by Maïwenn, also starring Johnny Depp, in a glossy historical French biopic.
If Only I Could Hibernate (2023)
★★★☆☆
If Only I Could Hibernate written, directed and produced by Zoljargal Purevdash is an involving, behind-the-scenes look at pressing issues in Mongolia, with an ecological message, seen through the life of an endearing teenager.
The Trouble With Jessica (2023)
★★★☆☆
The Trouble with Jessica directed by Matt Winn is a north London-set black comedy.
BFI Flare 2024: Our Son (2023)
★★★★☆
When Gabriel and Nicky’s marriage comes to a sudden end, they are soon locked in a tumultuous custody battle for their eight-year-old son Owen in director Bill Oliver’s moving divorce drama Our Son.
The Sweet East (2023)
★★★☆☆
The Sweet East is cinematographer Sean Price Williams’ directorial debut, with a screenplay by film critic Nick Pinkerton. It stars Talia Ryder (Never Rarely Sometimes Always) as a contemporary Alice in Wonderland, a student on a dreamlike road trip, satirising US subcultures.
Baltimore (2023)
★★★☆☆
Baltimore (misleading title) is a biopic of the life of revolutionary class warrior Rose Dugdale in Ireland, written and directed by husband and wife team Christine Molloy and Joe Lawlor.
BFI Flare 2024: What a Feeling (2024)
★★★☆☆
What a feeling by Kat Rohrer is a romcom of two middle-aged women, a late ‘coming of age’.