
The Girl On The Train / La Fille du RER (2009)
★★★☆☆
André Techiné’s The Girl On The Train is not so much an exploration of modern antisemitism as a cumulation of our collective fears. Just mind the moral gap.
★★★☆☆
André Techiné’s The Girl On The Train is not so much an exploration of modern antisemitism as a cumulation of our collective fears. Just mind the moral gap.
★★★☆☆
A pizzicato sonata of absurd rituals, Elia Suleiman’s The Time That Remains unpicks a lifetime stifling inside the Green Lines. It’s more than just plucking at strings.
★★★☆☆
When winning becomes a losing battle, Radu Jude’s The Happiest Girl In The World casts a sly glance over Romania’s troublingly capitalist embrace.
★★★☆☆
Italian-born Swede Erik Gandini’s documentary Videocracy turns the camera on the power of television in Berlusconi’s celebrity-obsessed Italy.
★★★☆☆
Combining documentary and fiction, Jia Zhang Ke’s 24 City looks at the rise and fall of a Chengdu aeronautics factory. It’s China’s capitalist revolution in miniature.
★★★☆☆
Putting Argentina’s past on trial, Juan José Campanella’s El Secreto De Sus Ojos is a whispered love story amid cries of bloody murder. It’s a rough kind of justice.
★★★☆☆
Exploring the entangled intimacy of twins, Pascal-Alex Vincent’s Donne Moi La Main is a road trip with a difference. But it’s no straight story.
★★★☆☆
Exploring female relationships in the maternity wing of an Argentine prison, Pablo Trapero puts motherhood at the heart of Leonera. Just don’t rattle her cage.
★★★☆☆
Unpicking the wheels of justice at The Hague’s International Criminal Court, Hans-Christian Schmid’s Sturm is a very European thriller. And it’s kicking up a storm.
★★★☆☆
Packing a real punch, Lang’s beautifully crafted, heartfelt documentary Sons of Cuba follows three young boxers against a backdrop of political uncertainty in this unique island-nation.
★★★☆☆
Foaming with hit-and-run guilt, Lucrecia Martel’s La Mujer Sin Cabeza is a murky swamp of middle-class morals. These troubled waters run deep.
★★★☆☆
By their very nature, documentary films live and die by the power of the stories they tell. Mugabe And The White African tells a story of the most powerful kind.
★★★☆☆
In a darkly humorous coming-of-age tale, Yorgos Lanthimos’ wickedly acerbic Dogtooth takes the institution of the family literally. Dangerously so.
★★★☆☆
This time it’s the US economy on trial as Michael Moore takes on Wall Street in his latest documentary Capitalism A Love Story.