London Film Festival 2014: The Keeping Room
The Keeping Room The Keeping Room is an unbearably suspenseful feminist revision of the siege story, overturning our expectations by varying the power dynamics…
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The Keeping Room The Keeping Room is an unbearably suspenseful feminist revision of the siege story, overturning our expectations by varying the power dynamics…
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Rosewater by Alexa Dalby In US satirist Jon Stewart’s clever debut as director and co-screenwriter, Mexican Gail Garcia Bernal stars in the true story…
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Song From The Forest Structured around a liturgy rather than a dramaturgy, Michael Obert’s Song From The Forest is a contemplative study of an…
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The Cut The move to Hollywood, or English-language filmmaking isn’t always easy, to which Michaël R. Roskam’s The Drop can testify. But despite a…
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A Hard Day by Alexa Dalby For Police Detective Ko (Korean star Seon-gyun Lee), it’s been one of those days – and nights. Speeding…
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Life-affirming and utterly moving, this account of Scottish music icon Edwyn Collins is a truly remarkable achievement in filmmaking.
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The New Girlfriend by Mark Wilshin Positively frothing with all the Ozon hallmarks of female sexuality, haute couture fetishism and earth-tethering babies, The New…
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A superb performance from Tom Hardy and a cast of intriguing supporting characters saves this often rudderless New York based crime drama from the drop.
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Coupled with an uncompromisingly bloated running time, Sergei Loznitsa’s sedate style of shooting renders this account of civil unrest in Kiev disengaging.
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Return To Ithaca Centred round a reunion of a group of fifty-something friends in Havana, Laurent Cantet’s Return To Ithaca is an intensely moving…
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Pasolini by Alexa Dalby Expect darkness and fireworks from Abel Ferrara’s thought-provoking biopic (with a fabulously diverse soundtrack) of the last 24 hours in…
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Mr Turner Mike Leigh’s dazzling biopic of one of Britain’s most celebrated and controversial artists, JMW Turner, in the last 25 years of his…
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White God Well, if you’re looking for something different, you can’t go wrong with Kornél Mundruczó’s genre-buster White God. Part a dystopic version of…
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★★★★☆
A sumptuously shot, intelligently-scripted drama about the ill-matched marriage of critic and artist John Ruskin and the much younger, beautiful Effie Gray.