Welcome to New York (2014)
★★★★☆
Abel Ferrara’s thinly veiled reconstruction of the colourful downfall of former World Bank head Dominique Strauss-Kahn after his fateful encounter with a New York chambermaid.
★★★★☆
Abel Ferrara’s thinly veiled reconstruction of the colourful downfall of former World Bank head Dominique Strauss-Kahn after his fateful encounter with a New York chambermaid.
★★★☆☆
Forrest Gump meets Zelig in an absurd and ridiculous Swedish farce-cum-road movie about a centenarian’s accidental involvement in major events of 20th century world history and contemporary criminal adventures.
★★★★☆
The sudden suicide of an 11-year-old girl on her birthday triggers the revelation of the secrets that her family is colluding to preserve.
★★★☆☆
With a magical use of 3D, Jean-Pierre Jeunet’s TS Spivet sees a gifted 10-year-old trek across America to receive an award for his invention, given to him in the belief he is an adult.
★★★★☆
The powerfully dramatised true story that recreates the last day of a 22-year-old black man, Oscar Grant, shot by railway police in the San Francisco Bay area on New Year’s Day 2009.
★★★☆☆
Fast-moving, gruesome, twisted, about-to-be cult thriller that underneath the horror may pack a violent satirical punch. If ever a film did what it says on the tin, it’s this.
★★★★☆
In a corrupt and broken Mexican society, Heli sees an innocent family bring violent retribution on themselves when they unwittingly cross a brutal drug cartel.
★★★★☆
Hossein Amini’s The Two Faces Of January is a stylish adaptation of a Patricia Highsmith thriller as a married couple and a stranger get drawn deeper into a dangerous relationship of mutual dependence.
★★★★☆
What happens when a wannabe musician finds himself caught up in a band that’s a cross between a commune and a boot camp, led by an unstable avant-garde musical genius, Frank, who never takes off a giant papier-mâché head?
★★★☆☆
A big hit at Robert Redford’s Sundance Festival in the US and previewed at Sundance London, this suspenseful, original and darkly comic revenge thriller set in America’s South is hugely enjoyable.
★★☆☆☆
In Gibraltar, a French bar owner agrees with French Customs to inform on international drug smugglers and quickly gets out of his depth.
★★★☆☆
As three schoolgirls form a punk band in Stockholm in 1982, Lukas Moodysson’s We Are The Best smells like early-teen punk spirit.
★★★☆☆
The personal and political intersect in an epic drama from the heady days of Nigeria’s independence to the failed attempt to set up the breakaway independent republic of Biafra, and the start of a civil war.
★★★☆☆
By the director of Koyaanisqatsi, Godfrey Reggio’s Visitors is a visually stunning, black-and-white wordless portrait of modern life with music by Philip Glass.