BFI LFF: How to talk to girls at parties (2017)
★★★★☆
John Cameron Mitchell’s How To Talk To Girls At Parties is a weird mixture of punk and aliens in the British suburbs – and it works.
★★★★☆
John Cameron Mitchell’s How To Talk To Girls At Parties is a weird mixture of punk and aliens in the British suburbs – and it works.
★★★★☆
Noah Baumbach’s verbose comedy-drama The Meyerowitz Stories for Netflix is solid mainstream entertainment with a wry taste.
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.
★★★★☆
In Wonderstruck Todd Haynes opens a cabinet of cinematic wonders as two deaf children’s stories interlink 50 years apart in the magic of New York.
★★★★☆
Taylor Sheridan’s heart is on his sleeve in his directorial debut in gripping, atmospheric Native American thriller Wind River.
★★★☆☆
Oliver Laxe’s second film Mimosas is an enigmatic, spiritual North African odyssey.
★★★★☆
Bushwick by Cary Murnion and Jonathan Milott is an action-filled dark imagining of civil war in the streets of Brooklyn.
★★★★☆
Sofia Coppola’s The Beguiled is compelling Southern Gothic, richly textured and deeply feminine.
★★★★☆
Albert Serra’s compelling film about the slow death of the Sun King features an extraordinary performance by the legendary Jean-Pierre Léaud.
★★★★☆
Netflix’s Okja is Bong Joon-ho’s and Jon Ronson’s satire-cum-expose of the genetically modified food industry through the adventures of a delightful Korean girl and an outsize giant pig.
★★★★☆
Bushwick by Cary Murnion and Jonathan Milott is an action-filled dark imagining of civil war in the streets of Brooklyn.
★★★★☆
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★★★★☆
Before We Vanish by Kiyoshi Kurosaw is a genre-bending Japanese bodysnatchers movie that provokes an alien apocalypse on Earth.
★★★★☆
The Desert Bride (La Novia del Desierto) is a charming Argentinian road move about a late-life blossoming.