Review Of The Year: 2014
“Life is a journey, not a destination”. And so is film. We explore the journey of film as we look back over the highlights of 2014 and give a sneak preview into the ones to watch out for in 2015.
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“Life is a journey, not a destination”. And so is film. We explore the journey of film as we look back over the highlights of 2014 and give a sneak preview into the ones to watch out for in 2015.
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The New Girlfriend by Mark Wilshin Positively frothing with all the Ozon hallmarks of female sexuality, haute couture fetishism and earth-tethering babies, The New…
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The Falling by Mark Wilshin After her acclaimed debut documentary Dreams Of A Life, Carol Morley makes an awkward move to her first feature,…
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★★☆☆☆
After causing a stir in Cannes earlier this year, Yann Gonzalez’s You And The Night is an existential orgy of misfits finding each other after midnight.
This year’s BFI London Film Festival promises to be one of the most exciting yet. It has a stunning line-up of the best of the festival winners and new work from around the world: and its scheduling in October is at a crucially important time in the run-up to the awards season.
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★★★★☆
With murderers among us, Alain Guiraudie’s Stranger By The Lake turns a sexually explicit peek at gay cruising into a political metaphor in the horror genre.
In black and white or riotous colour, here’s a quick look back over the best and worst films of 2013 and a sneak preview of the movies to watch out for in 2014.
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★★★★☆
Fathoming the sordid depths of taboo and transgression, François Ozon’s Jeune Et Jolie finds the unfathomable in a teenager trading innocence for money.
Day two and we hit the ground running (or should that be plummeting) with Alfonso Cuarón’s space chiller Gravity. Starring Sandra Bullock and George…
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★★★★☆
Of schoolboy crushes and French assignments, François Ozon’s labyrinthine In The House is an intricate maze of fiction and reality worth getting lost in.
As 2012 fades from sight as quickly as corroding celluloid, a final round-up of the best and worst of 2012 and those to look…
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In the year of London 2012, the 56th London Film Festival is exploring the capital, from Dickensian Smithfield via the brutalist Barbican to modern-day Hackney.
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The Dirty Dozen Hm, the January blues. It’s enough to make you want to curl up inside a darkened room. Which is fortunate, as there…
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★★★☆☆
With a happiness drive worthy of Amélie, Pierre Salvadori’s Beautiful Lies transcends its farcical plotting and ropey characterisation to deliver a masterclass on filmmaking.