Dancing, walking, laughing and shooting their way down the boulevard of broken dreams, Sebastian Schipper’s Victoria is a lyrical one-take wonder.
A spare, structuralist story of a girl’s Passion as she offers herself to God, Dietrich Brüggemann’s Stations Of The Cross is quickly reduced to easy finger-wagging.
Phoenix by Mark Wilshin Loosely based on extracts from Hubert Monteilhet’s Le Retour Des Cendres, Christian Petzold’s Phoenix plays a dangerous game with its…Read More
Song From The Forest Structured around a liturgy rather than a dramaturgy, Michael Obert’s Song From The Forest is a contemplative study of an…Read More
The Cut The move to Hollywood, or English-language filmmaking isn’t always easy, to which Michaël R. Roskam’s The Drop can testify. But despite a…Read More
A history of (domestic) violence, Philip Gröning’s The Police Officer’s Wife combines contemplative chapters with stark moments of unsettling violence.
All’s fair in love and war. But in Feo Aladag’s war film Zwischen Welten, it seems like nothing’s really fair. Following an Afghani interpreter…Read More
A portrait of the great thinker in troubled times, Margarethe von Trotta’s Hannah Arendt is more than a woman.
Set in 1945 in a Germany coming to terms with defeat, Cate Shortland’s Lore is an intimate and evocative portrait of lost innocence.
Braving surveillance, repression and dreams of escape, Christian Petzold’s Barbara looks at life behind the Iron Curtain in this genre-busting romantic thriller.