![La La Land](https://i0.wp.com/www.dogandwolf.com/wp-content/uploads/2016/10/3063128-poster-p-1-emma-stone-melts-our-hearts.jpg?fit=330%2C186&ssl=1)
Jacques Demy
![La La Land](https://i0.wp.com/www.dogandwolf.com/wp-content/uploads/2016/10/3063128-poster-p-1-emma-stone-melts-our-hearts.jpg?fit=330%2C186&ssl=1)
![La La Land](https://i0.wp.com/www.dogandwolf.com/wp-content/uploads/2016/10/3063128-poster-p-1-emma-stone-melts-our-hearts.jpg?fit=330%2C186&ssl=1)
BFI LFF 2016: LA LA LAND (2016)
★★★★☆
Whiplash director Damien Chazelle’s La La Land is a bittersweet musical love letter to Hollywood and Los Angeles.
![Au Bout Du Conte](https://i0.wp.com/www.dogandwolf.com/wp-content/uploads/2014/06/Under-The-Rainbow.png?fit=330%2C167&ssl=1)
Under The Rainbow / Au Bout Du Conte (2013)
★★★☆☆
Amidst a riot of frogs, poison apples, wolves and fairy godmothers, Agnès Jaoui’s Under The Rainbow puts fairytale romance to the test.
![Les Bien-Aimés](https://i0.wp.com/www.dogandwolf.com/wp-content/uploads/2012/04/0426beloved718.jpg?fit=330%2C220&ssl=1)
Beloved / Les Bien-Aimés (2011)
★★★☆☆
A razzledazzle musical reprise of Man At Bath, Christophe Honoré’s Beloved is a fractured but enjoyable romp through the swinging Sixties and the nervous Noughties.
![Elles](https://i0.wp.com/www.dogandwolf.com/wp-content/uploads/2012/04/Elles.png?fit=330%2C167&ssl=1)
Elles (2011)
★★★★☆
A devastating bedroom battle of the sexes, Malgorzata Szumowska’s Elles offers a glimpse into the secret lives of women behind closed doors.
![Two In The Wave](https://i0.wp.com/www.dogandwolf.com/wp-content/uploads/2010/07/truffaut_godardsmall.jpg?fit=330%2C246&ssl=1)
Two In The Wave / Deux de la Vague (2009)
★★★☆☆
Travelling from the love between Jean-Luc Godard and François Truffaut to a bitter hatred, Emmanuel Laurent’s Two In The Wave is a breathless histoire(s) du cinéma.
![Bluebeard](https://i0.wp.com/www.dogandwolf.com/wp-content/uploads/2010/07/Flach_Film_2fL_Bourlier_135.jpg?fit=330%2C247&ssl=1)
Film Review: Bluebeard / Barbe Bleue (2009)
★★★☆☆
A faithful adaptation of Perrault’s fairytale, Bluebeard nevertheless conceals a bevy of Catherine Breillat’s favourite themes. But where’s the eroticism?