Funny Cow (2017)
★★★★☆
Funny Cow showcases Maxine Peake’s versatility when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.
★★★★☆
Funny Cow showcases Maxine Peake’s versatility when she stars as a ground-breaking female comedian surviving in the misogynistic Seventies.
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Let the Sunshine In (Un Beau Soleil Interior).
★★★★☆
A film adapted from his stage play, Thoroughbreds is Corey Finley’s directorial debut. It’s a stylised teen thriller/black comedy of well-plotted cross and double-cross with two amoral central characters.
★★★★☆
In Wonderstruck Todd Haynes opens a cabinet of cinematic wonders as two deaf children’s stories interlink 50 years apart in the magic of New York.
★★★★★
Warwick Thornton’s bold and original period Aussie Western Sweet Country contrasts brutal men against land of spectacular beauty.
★★★★☆
Paddy Considine directs and stars in Journeyman, a melodrama about the hidden toll of boxing.
★★★★☆
You Were Never Really Here by Lynne Ramsay is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
★★★★☆
Her native rugged Yorkshire is the setting for Dark River, Clio Barnard’s follow-up to The Selfish Giant, a grim drama of a dysfunctional family and their failing farm.
★★★★★
Guillermo del Toro’s The Shape of Water is a fairy tale, a story of love, loss and friendship, and a magical cinematic joy.
★★★★★
Shown through a couple’s reactions to the disappearance of their son, Andrey Zvyagintsev’s Loveless (Nelyubov) is a crushing comment on a loveless society and its people.
★★☆☆☆
Journey’s End, director Sam Dibbs’ adaptation of R.C.Sherriff’s stage play, struggles to entrench itself in WWI.
★★★☆☆
Alexander Payne’s Downsizing is a fantasy satire in microcosm on life, the universe and everything.
★★★★★
Three Billboards Outside Ebbing, Missouri is Michael McDonagh’s five-star drama laced with humour featuring a gloriously Oscar-worthy performance by Frances McDormand.
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.