127 Hours | dogandwolf.com

Entries Tagged as '127 Hours'

Eleven in 2011

January 5th, 2012 No Comments

The Dirty Dozen
Hm, the January blues. It’s enough to make you want to curl up inside a darkened room. Which is fortunate, as there were so many great films in 2011, there’s a lot of catching up to do. Most shamefully, I missed out on Lars von Trier’s Melancholia, and perhaps most painfully, Gianni Di Gregorio’s follow-up [...]

Tags: 127 Hours · 20 Sigarette · 2010 · 2011 · 5x2 · Aki Kaurismäki · Andrew Haigh · Andrij Parekh · Aureliano Amadei · Before The Revolution · Bernardo Bertolucci · Biutiful · Black Power Mixtape · Black Swan · Blue Valentine · Cannes · Catherine Deneuve · cinema · Derek Cianfrance · documentary · dogandwolf · film · film review · François Ozon · Gérard Depardieu · Gianni Di Gregorio · Howl · In A Better World · Involuntary · Jessica Chastain · Lars Von Trier · Le Havre · Lionel Shriver · LLGFF · Lubna Azabal · Lynne Ramsay · Mark Wilshin · Markus Schleinzer · Melancholia · Michael · Michel Hazanavicius · Mid-August Lunch · Norwegian Wood · Nuri Bilge Ceylan · Oslo August 31st · Palme d'Or · Paolo Sorrentino · Play · Potiche · Reviews · Ruben Östlund · Satte Farben Vor Schwarz · Sean Penn · Sophie Heldman · Susanne Bier · Take Shelter · Tambien La Lluvia · Terence Davies · Terrence Malick · The Artist · The Deep Blue Sea · The King's Speech · The Salt Of Life · The Skin I Live In · The Tree Of Life · This Must Be The Place · Tilda Swinton · Trollhunter · We Need To Talk About Kevin · We Were Here · Weekend · Wilshin · Wuthering Heights

Ten in 2010

January 6th, 2011 No Comments

And so, like a wet goat, another year is born; an ideal opportunity to reflect on 2010 and make widescreen resolutions for 2011. You may already be wading through Top Tens up and down the cyberland, but here’s my own little twist ending to the cinematic story of 2010, namely a countdown of the scenes [...]

Tags: 127 Hours · 2010 · 2011 · A Single Man · Abbas Kiarostami · Alejandro González Iñárritu · André Techiné · Anne Coesens · Antony Cordier · Apichatpong Weerasethkul · Biutiful · Black Swan · Blue Valentine · Broderskab · Brotherhood · Certified Copy · cinema · Claire Denis · Colin Firth · Contracorriente · Darren Aronofsky · Delfina Castagnino · Denis Villeneuve · dogandwolf · Eyes Wide Open · film · film review · Gainsbourg · George Clooney · Guillaume Canet · Gus Van Sant · Happy Few · I Am Love · I Killed My Mother · Illégal · In A Better World · Incendies · Io Sono L'Amore · John Cameron Mitchell · Juliette Binoche · Lars Von Trier · Leap Year · Lebanon · Les Amours Imaginaires · Little White Lies · Loose Cannons · Luca Guadagnino · Lucrecia Martel · Lynne Ramsay · Marco Berger · Marion Cotillard · Mark Romanek · Mark Wilshin · Melancholia · Michael Rowe · Never Let Me Go · Nicolas Duvauchelle · Nicolo Donato · Norwegian Wood · Of Gods And Men · Old Cats · Pablo Trapero · Paddy Considine · Pedro Almodovar · Plan B · Police Adjective · Rabbit Hole · Raging Sun Raging Sky · Restless · Reviews · Sebastián Silva · Susanne Bier · The American · The Girl On The Train · The Grandmasters · The Happiest Girl In The World · The Headless Woman · The King's Speech · The Lion's Den · The Secret In Their Eyes · The Skin That I Inhabit · Tilda Swinton · Top Ten · Tran Anh Hung · Tyrannosaur · Un Prophète · Uncle Boonmee Who Can Recall His Past Lives · We Need To Talk About Kevin · What I Love The Most · White Material · Wilshin · Wong Kar Wai · Xavier Dolan · Zona Sur

Film Review: 127 Hours (2010)

January 5th, 2011 No Comments

Audiences are bound to be divided over Danny Boyle’s flashy visuals, but James Franco goes all out on a limb to ground the supersonic 127 Hours with a bit of gravitas.
127 Hours
Rock Me More And More by Mark Wilshin
CAUTION: Here be spoilers.
Nobody’s ever accused Danny Boyle of being minimalist. And after the rococo flourishes [...]

Tags: 127 Hours · 2011 · 28 Days Later · Aron Ralston · Between A Rock And A Hard Place · cinema · Danny Boyle · dogandwolf · film · film review · James Franco · London Film Festival · Mark Wilshin · Michael Winterbottom · Reviews · Shallow Grave · Slumdog Millionaire · Trainspotting · Wilshin