Emma. (2020)
★★★★☆
Beautiful to look at, clever and funny – that’s Jane Austen’s heroine Emma and also Autumn de Wilde’s adaptation of it – Emma. .
Parasite (Gisaengchung) (2019)
Boon Joon-Ho‘s Palme d’Or-winning masterpiece Parasite is an unforgettable, genre-bending black comedy about social status, class and inequality, aspiration and materialism.
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The Lighthouse (2019)
Queen & Slim (2019)
★★★★☆
Queen & Slim is a first film fuelled by controlled anger by black female director Melina Matsoukas. It’s always gripping.
The Personal History of David Copperfield (2019)
The Personal History of David Copperfield is Armando Iannucci’s quirkily imaginative transformation of Dickens’ novel bringing out its contemporary resonances.
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Glasgow Film Festival 2020
★★★★☆
The Glasgow Film Festival 2020 will open and close with major features – Proxima and How to Build a Girl – directed by women.
Uncut Gems (2019)
★★★★☆
Uncut Gems is the Safdie brothers’ Good Times on speed, starring Adam Sandler in eye-popping perpetual motion.
Long Day’s Journey Into Night (Di Qiu Zui Hou De Ye Wan) (2018)
★★★★☆
Long Day’s Journey Into Night is memorable, mesmeric virtuoso filmmaking by Gan Bi, creating a universe where time moves sinuously.
Little Women (2019)
★★★★☆
Greta Gerwig’s Little Women is a dream-come-true feminist re-reading of Louisa May Alcot’s childhood classic.
The Kingmaker (2019)
★★★★☆
The Kingmaker, Lauren Greenfield’s revealing documentary about Imelda Marcos, the former First Lady of the Philippines, is a fascinating and horrifying must-see.
Aquarela (2018)
★★★★☆
Aquarela, Victor Kossakovsky’s unforgettable, visionary documentary, immerses you in water in all its forms.
Honey Boy (2019)
★★★★☆
Honey Boy by Shia LaBeouf is a searingly personal, self-immolating childhood memoir.
So Long, My Son (2019)
★★★★☆
So Long, My Son (Di jiu tian chang) by Wang Xiaoshuai is a deeply moving, generations-spanning drama exploring the long-term effect of China’s one-child policy on a small circle of friends.
Atlantics (2019)
★★★★☆
Atlantic (Atlantique) is Mati Diop’s dreamlike feature debut focusing on the women left behind when Senegalese migrant workers take to the seas.