Ava (2017)
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.
★★★★☆
In Ava, the increasing darkness of Léa Mysius’ direction echoes the encroaching blindness of its young heroine in a strikingly original coming-of-age story.
★★★★☆
Jia Zhang Ke’s Mountains May Depart is an epic vision of decades of change in China, its people and diaspora, with a compelling central character.
★★★★☆
Michael Haneke’s Happy End deconstructs the internal dynamics of a wealthy bourgeois family living a life oblivious to the human beings around them, with chilling results.
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★★★★☆
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★★★★☆
The (African) portrait of a lady, Alain Gomis’ Félicité is a dazzling, vibrant depiction of Africa, womanhood and dreams of a life.
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
★★★★☆
In Thelma, both the main protagonist and director Joachim Trier realise the potential of her psychic powers, culminating in a taut and shocking narrative that refuses to bow down to one particular genre.
★★★★☆
Divided into stalwarts of French cinema and non-professional actors, Bruno Dumont’s crime caper Slack Bay exposes the grotesque in everyone.
★★★★☆
Daouda Coulibaly’s Wùlu is a must-see, tense, contemporary West African thriller.
★★★★☆
Over six weeks from 2 November – 17 December, the 25th UK French Film Festival presents 46 films in 300 screenings in 30 cities and 34 cinemas.
★★★★☆
You Were Never Really Here, Lynne Ramsay’s latest film is a dark, disturbing odyssey into the mind of a brutal yet tender hitman.
★★★★☆
Rungano Nyoni’s I Am Not a Witch is a surreal deadpan satire.
★★★★☆
Juliette Binoche stars in a rom-com departure for Claire Denis in Bright Sunshine In (Un Beau Soleil Interior).
★★★★☆
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