Clash (2016)
★★★☆☆
In Clash director Mohamed Diab creates an intensely moving microcosm of Egyptian society in the confined space of a police van as riots erupt outside.
features
The Handmaiden (2016)
★★★★☆
A sumptuous new adaptation of Sarah Waters’ Fingersmith, Park Chan-wook’s The Handmaiden is a dazzling tale of duplicity and deception.
The Sense of an Ending (2017)
★★★★☆
The Lunchbox director Ritesh Batra’s adaption of Julian Barness’ The Sense of an Ending is a sensitive, unflinching reflection the deceptiveness of emotions.
City of Tiny Lights (2016)
★★★☆☆
Multicultural London gets the film noir treatment from director Pete Travis in Patrick Neate’s City of Tiny Lights.
Free Fire (2016)
★★★★☆
Ben Wheatley’s Free Fire is a Tarantino-esque splatterfest of bullets and bad jokes.
Another Mother’s Son (2017)
★★★★☆
Another Mother’s Son is a true story of wartime courage and a mother’s love starring Jenny Seagrove and a cast of well-known British actors, directed by Christopher Menaul.
Get Out (2017)
★★★★☆
Get Out is actor and comedian Jordan Peele’s original horror-satire take on white liberal racism in the US.
The Salesman (2016)
★★★★☆
Asghar Farhardi’s The Salesman illuminates universal moral arguments about masculinity by presenting them in parallel with a production of Arthur Miller’s stage play in contemporary Iran.
The Olive Tree (2016)
★★★☆☆
The Olive Tree is a heartwarming film scripted by Ken Loach’s collaborator Paul Laverty, directed by Icíar Bollaín, demonstrating the power of personal conviction and positive action.
A Silent Voice (2016)
★★★★☆
A Silent Voice is an unusual and sensitive anime about deafness and teen bullying based on the long-running manga by Yoshitoki Oima.
Elle (2016)
★★★★☆
Isabelle Huppert is elegantly transgressive in Paul Verhoeven’s disturbing Elle.
Viceroy’s House (2017)
★★★☆☆
An upstairs-downstairs portrait of Indian independence and Partition, Gurinder Chadha’s Viceroy’s House is a history lesson with a big heart.
The Student (2016)
★★★★☆
Bringing Christian fundamentalism to the playground, Kirill Serebrennikov’s The Student satirises the conservatism of Russian institutions.
Certain Women (2016)
★★★★☆
Kelly Reichardt takes an appraising look at four women’s lives in Certain Women‘s intriguingly overlapping stories.