White God / Fehér isten (2014)
★★★★☆
Fierce and unflinchingly brutal, Kornél Mundruczó’s White God is an unsettling Hungarian allegory brimming with passion, imagination and socio-political resonance.
London
Festival Review: Sworn Virgin / Vergine Giurata (2015)
★★★★☆
With a great performance from Alba Rohrwacher, Laura Bispuri’s Sworn Virgin is a stunning but underwhelming glimpse into celibacy in the Albanian mountains.
Festival Review: Aferim! (2015)
★★☆☆☆
A black and white romp through 19th century Romanian feudalism, what Radu Jude’s Aferim! lacks in substance, it makes up for in style.
Festival Review: Nasty Baby (2015)
★★★☆☆
The comic story of a New York gay couple trying for a baby with their 30-something best friend, Sebastián Silva’s Nasty Baby falls apart in the final reel.
Festival Review: Under Electric Clouds (2015)
★★★☆☆
A murky wander through Mother Russia past, present and future, Alexey German’s Under Electric Clouds is an ambitious feat of national navel-gazing.
Festival Review: Body / Cialo (2015)
★★★☆☆
Anorexia, ghosts and the broken bond between father and daughter, Malgorzata Szumowska’s Body is a finely acted black comedy about laying grief to rest.
Festival Review: The Club / El Club (2015)
★★★★☆
A scurrilous comedy about degenerate priests, Pablo Larrain’s The Club rides a dark political undercurrent as God’s rejects refuse to see the light.
Festival Review: The Pearl Button / El botón de nácar (2015)
★★★★☆
A cosmological constellation of water, native tribes and Chile’s disappeared, Patricio Guzmán’s The Pearl Button is a powerful wave of connections.
Festival Review: Victoria (2015)
★★★★☆
Dancing, walking, laughing and shooting their way down the boulevard of broken dreams, Sebastian Schipper’s Victoria is a lyrical one-take wonder.
Festival Review: Ixcanul / Volcano (2015)
★★★★☆
A beautifully lensed portrait of Mayan life under the Pacaya volcano, Jayro Bustamante’s Ixcanul exposes the terrifying vulnerability of indigenous peoples.
Festival Review: Taxi Tehran (2015)
★★★★☆
Turning the camera upon himself for the third time, Jafar Panahi’s Taxi is a moving portrait of the politics of filming and the filming of politics.
Film Festival: Top Dog of the London Film Festival 2014
Every dog will have his day – and at the LFF 2014, they did. Several days. And very many dogs, as those who saw White God can confirm.
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THE 58TH LONDON FILM FESTIVAL 2014
Bookended by battle stages of the Second World War, the 58th London Film Festival takes the sound and the fury to the home front, as human relationships come under fire.
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London Film Festival 2014: Fury
Fury by Alexa Dalby Brad Pitt stars in a gruesome Second World War movie with an ultra-high body count scripted and directed by David…
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