With pitch-perfect performances by Julianne Moore and Annette Bening, Lisa Cholodenko’s The Kids Are All Right is by no means playing it straight.
With man-on-man love in a small Peruvian fishing village, Javier Fuentes-León’s Contracorriente has Latin American machismo swimming against a high tide.
Forbidden desire in Jerusalem’s orthodox community, the love affair between two Haredi Jews raises eyebrows in Haim Tabakman’s Eyes Wide Open. And razes the temple.
Exploring the entangled intimacy of twins, Pascal-Alex Vincent’s Donne Moi La Main is a road trip with a difference. But it’s no straight story.
From forbidden love to lovesick confusion, London’s 24th Lesbian & Gay Film Festival explores the boundaries of love, sexuality and gender. It’s a fine bromance!Read More
Colin Firth mesmerises as a grieving gay college professor, but can dressing Isherwood’s novel up in a sharp new suit say anything about 21st century queerdom?