Film Festival: 27th London Lesbian & Gay Film Festival 2013
Taking on sham gay marriages, oppression and homophobic violence, the London Lesbian & Gay Film Festival holds back on taboo in favour of a global step forward.
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Taking on sham gay marriages, oppression and homophobic violence, the London Lesbian & Gay Film Festival holds back on taboo in favour of a global step forward.
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★★★★☆
Stylish, witty and clever, Xavier Dolan’s Queer Palm winner Laurence Anyways shows the pain of reinvention, the tragedy of impossible love and the survival of the spirit.
★★★★☆
A London La Haine, Sally El-Hosaini’s mesmerising debut My Brother The Devil looks at brotherhood, homosexuality and turf wars in post-riot Hackney.
★★★★★
A fictional retelling of a boy’s own story, Ira Sachs’ Keep The Lights On charts a nine-year relationship from love’s first highs to its bitterest lows.
The 26th BFI London Lesbian & Gay Film Festival CAUTION: Here be spoilers Like a cloudburst, the annual London Lesbian & Gay Film Festival…
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★★★★☆
Documenting five testimonies of San Francisco’s AIDS crisis, Bill Weber and David Weissman’s We Were Here brings the battle to the people.
★★★★☆
With a career redefining performance from Rachel Weisz, Terence Davies’ The Deep Blue Sea is a tour de force of classic filmmaking and nostalgia.
★★★★☆
A Nottingham-set gay love story, Andrew Haigh’s Weekend is love in the real lane – tender, confusing and painful. It’s funny, but it ain’t no hom-com.
★★★☆☆
The portrait of the cross-dresser as a young boy, Céline Sciamma’s Tomboy explores a summer of sexual awakening and the limits of identity.
★★★★☆
Navigating the ménage à trois with elegant indifference, Xavier Dolan’s Les Amours Imaginaires is a glorious feast of colour and rancid joie de vivre. Who said anything about subtle?
Featuring road movies, rent boys and Don’t Ask Don’t Tell rules, London’s 25th Lesbian & Gay Film Festival explores gay identity on the run….
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★★★★☆
With pitch-perfect performances by Julianne Moore and Annette Bening, Lisa Cholodenko’s The Kids Are All Right is by no means playing it straight.
★★★★☆
With man-on-man love in a small Peruvian fishing village, Javier Fuentes-León’s Contracorriente has Latin American machismo swimming against a high tide.
★★★★★
Forbidden desire in Jerusalem’s orthodox community, the love affair between two Haredi Jews raises eyebrows in Haim Tabakman’s Eyes Wide Open. And razes the temple.