Free Fire (2016)
★★★★☆
Ben Wheatley’s Free Fire is a Tarantino-esque splatterfest of bullets and bad jokes.
★★★
Another Mother’s Son (2017)
★★★★☆
Another Mother’s Son is a true story of wartime courage and a mother’s love starring Jenny Seagrove and a cast of well-known British actors, directed by Christopher Menaul.
The Eyes of My Mother (2016)
★★★★☆
Nicolas Pesce’s black and white feature debut The Eyes of My Mother is a stylishly shot American Gothic horror with nightmarish scenes that stay imprinted on the mind’s eye.
A Silent Voice (2016)
★★★★☆
A Silent Voice is an unusual and sensitive anime about deafness and teen bullying based on the long-running manga by Yoshitoki Oima.
Viceroy’s House (2017)
★★★☆☆
An upstairs-downstairs portrait of Indian independence and Partition, Gurinder Chadha’s Viceroy’s House is a history lesson with a big heart.
It’s Only the End of the World (2016)
★★★★☆
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table.
Sweet Dreams (2016)
★★★☆☆
Marco Bellochio’s Sweet Dreams is a journalist’s belated emotional coming of age as he investigates the death of his mother.
Ana, Mon Amour (2017)
★★★☆☆
An intimate portrait of the codependency of love, Cãlin Peter Netzer’s Ana, Mon Amour falters through its very male gaze.
The Lost City Of Z (2017)
★★★☆☆
Pitting the difficulties of returning against the traveller’s urge to stray, James Gray’s The Lost City Of Z finds no peace at home or abroad.
Have A Nice Day (2017)
★★★☆☆
Sleek in its industrial animation, Jian Liu’s Have A Nice Day makes up for a lack of substance with style.
Multiple Maniacs (1970, 2016)
★★★★☆
Now released in cinemas for the first time since it was made in 1970, John Waters shocks and awes with Divine in Multiple Maniacs – the clue’s in the title.
The Bar (2017)
★★★☆☆
Returning to the horror-comedy genre of his early films, Álex de la Iglesia’s The Bar uncovers Spanish society at a frightening pace.
Joaquim (2017)
★★★☆☆
A pastoral account of the politicisation of Brazilian hero Tiradentes, Marcelo Gomes’ Joaquim makes up for its slow pace with delicious images.
Return to Montauk (2017)
★★★☆☆
Pianissimo rather than Moderato Cantabile, Volker Schlöndorff’s Return To Montauk fails to soar despite the best possible score.