Clash (2016)
★★★☆☆
In Clash director Mohamed Diab creates an intensely moving microcosm of Egyptian society in the confined space of a police van as riots erupt outside.
★★★☆☆
In Clash director Mohamed Diab creates an intensely moving microcosm of Egyptian society in the confined space of a police van as riots erupt outside.
★★★★☆
Clever use of previously unseen archive footage and original letters brings to life the extraordinary story of a forgotten female Lawrence of Arabia in fascinating biopic Letters from Baghdad.
★★★☆☆
Multicultural London gets the film noir treatment from director Pete Travis in Patrick Neate’s City of Tiny Lights.
★★★★☆
Ben Wheatley’s Free Fire is a Tarantino-esque splatterfest of bullets and bad jokes.
★★★★☆
Another Mother’s Son is a true story of wartime courage and a mother’s love starring Jenny Seagrove and a cast of well-known British actors, directed by Christopher Menaul.
★★★★☆
Nicolas Pesce’s black and white feature debut The Eyes of My Mother is a stylishly shot American Gothic horror with nightmarish scenes that stay imprinted on the mind’s eye.
★★★★☆
A Silent Voice is an unusual and sensitive anime about deafness and teen bullying based on the long-running manga by Yoshitoki Oima.
★★★☆☆
An upstairs-downstairs portrait of Indian independence and Partition, Gurinder Chadha’s Viceroy’s House is a history lesson with a big heart.
★★★★☆
Xavier Dolan’s It’s Only The End Of The World is an intense, melodramatic family drama around the lunch table.
★★★☆☆
Marco Bellochio’s Sweet Dreams is a journalist’s belated emotional coming of age as he investigates the death of his mother.
★★★☆☆
An intimate portrait of the codependency of love, Cãlin Peter Netzer’s Ana, Mon Amour falters through its very male gaze.
★★★☆☆
Pitting the difficulties of returning against the traveller’s urge to stray, James Gray’s The Lost City Of Z finds no peace at home or abroad.
★★★☆☆
Sleek in its industrial animation, Jian Liu’s Have A Nice Day makes up for a lack of substance with style.
★★★★☆
Now released in cinemas for the first time since it was made in 1970, John Waters shocks and awes with Divine in Multiple Maniacs – the clue’s in the title.