The Nine Muses (2010)
★★★☆☆
Respected Afro-British director John Akomfrah’s haunting film The Nine Muses is an unusual, genre defying, literary based contemplation of migration, memory and the power of elegy.
★★★☆☆
Respected Afro-British director John Akomfrah’s haunting film The Nine Muses is an unusual, genre defying, literary based contemplation of migration, memory and the power of elegy.
★★★☆☆
Prolific Franco-Chilean director, Raúl Ruiz’s penultimate film, Mysteries of Lisbon, is a labyrinthine, pan-European, Proustian epic that twists and turns across the generations.
★★★☆☆
A slowly elegant meditation on intimacy and friendship, Pablo Giorgelli’s Las Acacias will have you screaming from the back seat with glee,”Are we nearly there yet?”
★★★☆☆
Our man in the Vatican, Nanni Moretti’s We Have A Pope delights both in the vibrant ritual of the papal conclave and rattling its cardinals’ chasubles.
★★★☆☆
“Heathcliff, it’s me, Cathy come home,” Andrea Arnold drops the high drama of Emily Brontë’s Wuthering Heights in return for an opulence of visual treats.
★★★☆☆
Embroiled in politics corrupt and corrupting, George Clooney’s The Ides Of March charts the tragic fate of one man irredeemably lost, and on the way up.
★★★☆☆
The portrait of the cross-dresser as a young boy, Céline Sciamma’s Tomboy explores a summer of sexual awakening and the limits of identity.
★★★☆☆
With its folkloric hellions and scatological asides, André Øvredal’s mockumentary of Northern frights, Troll Hunter, can’t quite decide if it’s horror or comedy.
★★★☆☆
Mona Achache’s adaptation of The Hedgehog is a touching, tragic tale of unlikely friendships and a contemporary take on the malaise of the Parisian bourgeoisie.
★★★☆☆
With Kristin Scott Thomas charmingly exposing family secrets, Sarah’s Key combines the horror of the Vel d’Hiv round-up with modern traumas and untold stories.
★★★☆☆
With a happiness drive worthy of Amélie, Pierre Salvadori’s Beautiful Lies transcends its farcical plotting and ropey characterisation to deliver a masterclass on filmmaking.
★★★☆☆
Aktan Arym Kubat’s The Light Thief is a mishmash of comedy, politics and poetry, and yet a haunting portrait of the death of cinema.
★★★☆☆
Revisiting the St Bartholomew’s Day Massacre, Bertrand Tavernier’s The Princess of Montpensier tones down the sexy intrigue in favour of female self-determination.
★★★☆☆
JLG is back to his impenetrable best with Film Socialisme, a cascading multi-lingual mosaic of ideas and comment presented as a symphony in three reassuringly dense movements.