
Babycall (2011)
★★★☆☆
Pål Sletaune’s Babycall is a hall of ghostly mirrors and fantasy reflections as a mother and victim of domestic abuse tries to keep a fracturing reality together.
★★★☆☆
Pål Sletaune’s Babycall is a hall of ghostly mirrors and fantasy reflections as a mother and victim of domestic abuse tries to keep a fracturing reality together.
★★★☆☆
How To Re-establish A Vodka Empire is a creative look at Dan Edelstyn’s attempt to retrace his lost Ukrainian heritage and relaunch the family vodka brand.
★★★☆☆
Filmed over 12 years, Varon Bonicos’s A Man’s Story is more than a bio-doc on Ozwald Boateng, it’s a sharp look at the essence of the man.
★★★☆☆
Filmed in French, English and Polish, Pawel Pawlikowski’s The Woman In The Fifth offers a uniquely European look at love, literature and lunacy.
★★★☆☆
From oligarch to the Siberian gulag, Cyril Tuschi’s documentary Khodorkovsky shines a light on Russia’s murky politics and its most infamous dissident. Oh, those Russians.
★★★☆☆
A compelling insight into the mind of a Christian terrorist, Bruno Dumont’s Hadewijch is a hotbed of religious delusion and misplaced fervour.
★★★☆☆
Patience (After Sebald) sees Grant Gee’s richly-textured path meander through the Suffolk countryside and the work of the acclaimed Anglo-German writer.
★★★☆☆
Respected Afro-British director John Akomfrah’s haunting film The Nine Muses is an unusual, genre defying, literary based contemplation of migration, memory and the power of elegy.
★★★☆☆
Prolific Franco-Chilean director, Raúl Ruiz’s penultimate film, Mysteries of Lisbon, is a labyrinthine, pan-European, Proustian epic that twists and turns across the generations.
★★★☆☆
A slowly elegant meditation on intimacy and friendship, Pablo Giorgelli’s Las Acacias will have you screaming from the back seat with glee,”Are we nearly there yet?”
★★★☆☆
Our man in the Vatican, Nanni Moretti’s We Have A Pope delights both in the vibrant ritual of the papal conclave and rattling its cardinals’ chasubles.
★★★☆☆
“Heathcliff, it’s me, Cathy come home,” Andrea Arnold drops the high drama of Emily Brontë’s Wuthering Heights in return for an opulence of visual treats.
★★★☆☆
Embroiled in politics corrupt and corrupting, George Clooney’s The Ides Of March charts the tragic fate of one man irredeemably lost, and on the way up.
★★★☆☆
The portrait of the cross-dresser as a young boy, Céline Sciamma’s Tomboy explores a summer of sexual awakening and the limits of identity.