Climax
★★★★☆
Gaspar Noé’s hallucinogenic Climax is as hard core as its bad trip.
Cannes Film Festival
The Ciambra (2017)
★★★★☆
The Ciambra is an extraordinary first feature by Jonas Carpignano, a follow-up to Mediterraneo, that has ordinary people, non-professional actors, playing fictionalised versions of themselves in a reality-rooted drama.
Leave No Trace (2018)
★★★★☆
Debra Granik’s Leave No Trace is a sympathetic, realistic character study of a father and daughter trying to adapt to society after being off grid in a US wilderness.
Ismael’s Ghosts (2017)
★★★☆☆
Arnaud Desplechin’s Ismaël’s Ghosts is an abstract, at times melodramatic, interweaving of nightmare, filmmaking, fiction and reality.
Cannes Film Festival 2018: Prizewinners
Palme d’Or Shoplifters by Hirokazu Kore-eda Grand Prix Spike Lee for BlacKkKlansman Grand Jury Prize Capernaum by Nadine Labaki Special Palme d’Or…
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Cannes Film Festival 2018: Day 12
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 11
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 10
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 8
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 7
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 6
★★★★☆
Cannes Film Festival 2018
Cannes Film Festival 2018: Day 5
★★★★☆
Cannes Film Festival 2018.
Cannes Film Festival 2018: Day 4
★★★★☆
Cannes Film Festival 2018.
Redoubtable (2017)
★★★☆☆
In a timely release for the anniversary of the May 1968 almost-revolution in Paris, Michel Hazanavicius wickedly funny re-invention of Jean-Luc Godard in Redoubtable, as seen though the eyes of Anne Wiazemsky, his second wife.