Yves Saint Laurent (2014)
★★★☆☆
Undressing the high life of the fashion designer, his label, loves and lows, Jalil Lespert’s Yves Saint Laurent cuts a fine figure.
★★★☆☆
Undressing the high life of the fashion designer, his label, loves and lows, Jalil Lespert’s Yves Saint Laurent cuts a fine figure.
★★★☆☆
A moody thriller of a cool hitman on the wrong side of the mob in sizzling Sicily, Fabio Grassadonia and Antonio Piazza’s Salvo is seeking out a new vision.
★★★★★
Bold, cold and beautiful, Under The Skin is a unique and unsettling experience which defies convention from ambiguous opening to devastating denouement.
★★★☆☆
An elliptical life torn apart by love and crime, Katell Quillévéré’s Suzanne offers a journey back to happiness and family through absence.
★★★★☆
With a cast list as long as your livery-sleeved arm, Wes Anderson’s The Grand Budapest Hotel is a colourful romp through the bright lights of Old Europe.
★★★★☆
A riot of sex, literary references and A-list performances in two volumes, Lars von Trier’s Nymphomaniac is an erotic catechism on the agony and the ecstasy.
★★★★☆
A stylish Jim Jarmusch movie, Only Lovers Left Alive is a contemporary tale of centuries-old world-weary vampires, their lives sustained by love and blood.
★★★★☆
With murderers among us, Alain Guiraudie’s Stranger By The Lake turns a sexually explicit peek at gay cruising into a political metaphor in the horror genre.
Fathers and sons are the order of the day again today. Starting with Sudabeh Mortezai’s Macondo, which bears a striking thematic resemblance to both…
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★★★★☆
In a near future dominated by computers, Spike Jonze’s Her sees a lonely man fall in love with his operating system, which understands him better than he does himself.
★★★☆☆
A haunting nightmare in a Parisian dystopia, Claire Denis’ Bastards is an infernal cacophony of sex, blood and broken families.
Masculinity takes charge in today’s Berlinale selection, starting with Ning Hao’s No Man’s Land – a Chinese Western of silent, bone-crunching machismo as a…
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All’s fair in love and war. But in Feo Aladag’s war film Zwischen Welten, it seems like nothing’s really fair. Following an Afghani interpreter…
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Perhaps one of the most enjoyable films so far is Hans Petter Molland’s scandi coproduction In Order Of Disappearance with actors and funding from…
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