London Film Festival 2014: Men, Women And Children
Jason Reitman’s incisive slice of modern suburbia is a sad, humourous and painfully relevant snapshot of our subservience to social media.
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London Film Festival 2014: The Duke Of Burgundy
The Duke Of Burgundy Burgundy Is The Sadomasochistic Colour by Dave O’Flanagan Reading-born director Peter Strickland’s vintage erotic melodrama is a beguiling oddity; an…
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London Film Festival 2014: Excuse My French
Excuse My French by Dave O’Flanagan It’s a wonderfully positive testament to director Amr Salama, and the Egyptian film industry, that creativity has somehow…
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London Film Festival 2014: Camp X-Ray
Powerful and moving with excellent performances from Kristen Stewart and Peyman Moaadi, Camp X-Ray puts a human face on the detainees of Guantanamo Bay.
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ARCHIVE: Le Jour Se Lève/Daybreak (1939)
★★★★☆
A fatalistic tale of love and jealousy, Marcel Carné’s Le Jour Se Lève is a captivating and tragically romantic French classic.
Before I Go To Sleep (2014)
★★☆☆☆
An unsympathetic protagonist is the most damning aspect of Rowan Joffé’s formulaic and sedate adaptation of the best-selling novel.
Life Of Crime (2013)
★★★☆☆
A strangely off-kilter edit hinders an otherwise enjoyable film, but clever dialogue and pitch-perfect performances ensure Life Of Crime is worth your time.
Night Moves (2013)
★★★★☆
Unrelentingly tense from start to finish, Night Moves is a superbly crafted character-driven drama that maintains its stranglehold on your anxiety from start to finish.
The Internet’s Own Boy: The Story Of Aaron Swartz (2014)
★★★★☆
Compelling, terrifying and timely, The Internet’s Own Boy highlights the tragedy of Aaron Swartz’s death and the brutish power of the US Government in the face of political activism.
Lucy (2014)
★★★★☆
Scarlett Johansson’s exciting and eclectic career choices continue with Lucy, a big, brazen, bonkers Besson film.
The Congress (2013)
★★★★☆
A moving meditation on corporate commerciality in a dystopian future, The Congress is a remarkable film bursting with ambition, imagination and emotion.
Joe (2013)
★★★☆☆
Dark and uncompromisingly grim, David Gordon Green’s Joe is a wicked Southern Gothic tale of violence and vice in the heart of the Deep South.
Boyhood (2014)
★★★★★
Richard Linklater’s intimate portrayal of growing up is an intoxicating combination of humour, melancholy and unbridled hope that will mean something to everyone.
Cold In July (2014)
★★★★☆
A rich, pulpy, synth-infused southern thriller, Jim Mickle’s Cold In July is a brutish neo-noir homage to the cult classics of old.