Us (2019)
Review to follow.
★★★★☆
Us is Jordan Peele’s truly scary, more-than horror, state-of-the-nation follow-up to his acclaimed Get Out.
Review to follow.
★★★★☆
Us is Jordan Peele’s truly scary, more-than horror, state-of-the-nation follow-up to his acclaimed Get Out.
Art and politics are uneasy bedfellows in The White Crow, David Hare’s story of ballet and defection, a directorial debut for Ralph Fiennes. The…
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★★★★☆
Trans-themed Girl is an exceptional, moving debut by director Lukas Dhont
★★★★☆
Benjamin, written and directed by Simon Amstell, is a self-revelatory comedy of embarrassment and satire on arty pretension.
★★★☆☆
The Fight is actor Jessica Hynes’ down to earth but promising debut as director.
★★★☆☆
Under the Silver Lake is David Robert Mitchell’s dreamlike, rationality-transcending contemporary noir, starring Andrew Garfield.
★★★★☆
Everybody Knows (Todos Lo Saben) is Iranian Asgar Farhadi’s Spanish-language first, a family drama-cum-thriller with top stars Penélope Cruz, Javier Badem and Ricardo Darín.
★★★☆☆
Based on a true story, Fisherman’s Friends, directed by Chris Foggin, is a feel-good, musical fairy tale set in beautiful Cornwall.
★★★☆☆
In Amá, Lorna Tucker has followed up her Vivienne Westwood film with a crucially important documentary on the subject of female sterilisation without consent among Native American women.
★★★☆☆
Writer and director Elizabeth Chomko’s drama What They Had centres around that familiar concept of a crisis bringing a family together and drawing them closer to each other.
★★★★☆
Foxtrot is director Samuel Moaz’s original, surreal black comedy of the paradoxes and contradictions of life in Israel and Palestine on the edge of war.
We Are The Weirdos 2019, woman-directed shorts presented by The Final Girls feminist film collective, showcases the most exciting new female voices in genre cinema from around the world.
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★★★☆☆
Rosamund Pike in Matthew Heineman’s A Private War is a perfect incarnation of the legendarily fearless war reporter Marie Colvin.