Happy as Lazzaro (2018) (Lazzaro felice)
★★★★☆
Happy as Lazzaro by Alice Rohrwacher is a magical-realist fable that features types of exploitation.
Italy
Redoubtable (2017)
★★★☆☆
In a timely release for the anniversary of the May 1968 almost-revolution in Paris, Michel Hazanavicius wickedly funny re-invention of Jean-Luc Godard in Redoubtable, as seen though the eyes of Anne Wiazemsky, his second wife.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
BFI LFF: Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
Michelangelo: Love and Death (2017)
★★★★☆
To coincide with a major show at London’s National Gallery, Michelangelo: Love and Death, the latest offering from Exhibition on Screen, retraces the genius of the Florentine master.
Sweet Dreams (2016)
★★★☆☆
Marco Bellochio’s Sweet Dreams is a journalist’s belated emotional coming of age as he investigates the death of his mother.
Call Me By Your Name (2017)
★★★★☆
A delightfully nostalgic and evocative portrait of young love, Luca Guadagnino’s Call Me By Your Name has all of the pleasure and only some of the pain.
Tale of Tales (2015)
★★★★★
Beautiful and grotesque – director Matteo Garone’s visually stunning collection of dark fairy tales for adults Tale of Tales defies description.
Festival Review: Inside The Chinese Closet (2015)
★★★☆☆
With fake marriage markets and illegal babies, Sophia Luvara’s intimate documentary Inside The Chinese Closet reveals gay men and women shouldering their parents’ burden.
Festival Review: Fire At Sea (2016)
★★★★☆
Half-documentary, half-fiction, Gianfranco Rosi’s Fuocoammare paints a portrait of life on Lampedusa with its fishing traditions and new waves of migrants.
Youth (2015)
★★★☆☆
A cornucopia of secrets, betrayal, friendship and regret, Paolo Sorrentino’s Youth is the old sod to The Great Beauty‘s bright young things.
Festival Review: A Bigger Splash (2015)
★★★☆☆
A sumptuous but strangely outdated adaptation of La Piscine, Luca Guadagnino’s A Bigger Splash is a watery enigma of jealousy and miscommunication.
Mia Madre (2015)
★★★★☆
A very personal film, Nanni Moretti’s Mia Madre sees a film director cope with the death of her mother whilst shooting a film with an uncontrollable star.
Pasolini (2014)
★★★★☆
Evoking the last days of Pier Paolo Pasolini, Abel Ferrara’s Pasolini lets the controversial Italian filmmaker’s thoughts and ideas do the scandalising.