London Film Festival 2013 – Day 5
Freedom, obsession and discrimination, it’s all here. And in Poland, Iran, Bosnia-Herzegovina, Sweden and South Africa. First, there’s Jafar Panahi’s Closed Curtain, his fictional…
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Freedom, obsession and discrimination, it’s all here. And in Poland, Iran, Bosnia-Herzegovina, Sweden and South Africa. First, there’s Jafar Panahi’s Closed Curtain, his fictional…
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And now it’s time for the heavy hitters. Enter Juliette Binoche and Robert Redford in two equally spare one-handers. In Bruno Dumont’s film it’s…
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The vogue for monochrome continues with Alexander Payne’s Nebraska. And after Hawaii in The Descendants, Payne ups sticks to another overlooked state, this time…
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★★★☆☆
Like someone in love, Hong Sangsoo’s Nobody’s Daughter Haewon draws out the loneliness of youth as a pretty student negotiates family, love and relationships.
★★★☆☆
As two lovers meet and start an intense, doomed sexual relationship, Kieran Evans’ Kelly + Victor offers a charged portrait of two worlds colliding.
★★★★☆
In Haifaa Al-Mansour’s Wadjda, an enterprising Saudi schoolgirl enters her school’s Koran recitation competition to raise money to buy a forbidden bicycle.
★★★★☆
Putting the stories of nine venerable gay men and women under the spotlight, Sébastien Lifshitz’s Les Invisibles pays homage to love, self-fulfilment and revolution.
★★★★☆
Through teen scams, Native American song and an ownerless cradle, Ruben Östlund’s Play offers a long hard look at social discomfort at play.
★★★★☆
An exploration of self beyond the lives of others, Julian Pölsler’s The Wall puts femininity and humanity on show in a glass cage.
★★★☆☆
A modern take on the clown’s tragedy, Tom Shkolnik’s The Comedian is short on laughs but strong on introspection.
★★★☆☆
A homage to the men of the cloth fighting poverty in Argentina, Pablo Trapero’s White Elephant explores the moral murk and courage of the missionary position.
★★★☆☆
Dominga Sotomayor’s Chilean road movie Thursday Till Sunday is a beguiling and tender children’s-eye-view of a changing adult world.
★★★★☆
Of schoolboy crushes and French assignments, François Ozon’s labyrinthine In The House is an intricate maze of fiction and reality worth getting lost in.
★★★★☆
Matteo Garrone’s Reality is a well thought-out satire on fame and the pursuit of celebrity in Berlusconi’s reality TV-obsessed Italy.