Robot & Frank (2012)
★★★★☆
An unlikely odd-couple relationship between man and robot, Robot & Frank poignantly contrasts human memory and ageing with its computerised counterparts.
London Film Festival
Lore (2012)
★★★★☆
Set in 1945 in a Germany coming to terms with defeat, Cate Shortland’s Lore is an intimate and evocative portrait of lost innocence.
Mea Maxima Culpa Silence In The House Of God (2012)
★★★★☆
Through the testimony of signing victims, Alex Gibney’s documentary Mea Maxima Culpa Silence In The House Of God lifts the lid on Church secrecy and child abuse.
No (2012)
★★★★☆
Televising the revolution, Pablo Larrain’s No puts advertising and happiness at the heart of Chile’s campaign to depose Pinochet.
A Liar’s Autobiography (2012)
★★★☆☆
Seventeen short films about Graham Chapman, A Liar’s Autobiography offers a kaleidoscopic view of the legendary gay and alcoholic Python.
Midnight’s Children (2012)
★★★★☆
A colourful journey through India’s rich history, Deepa Mehta’s Midnight’s Children is a beautiful adaptation of Rushdie’s unfilmable novel, vibrant and beguiling.
I Anna (2012)
★★★☆☆
Starring his own mother Charlotte Rampling, Barnaby Southcombe’s psychological London thriller I, Anna is taking motherhood to task.
Laurence Anyways (2012)
★★★★☆
Stylish, witty and clever, Xavier Dolan’s Queer Palm winner Laurence Anyways shows the pain of reinvention, the tragedy of impossible love and the survival of the spirit.
Sightseers (2012)
★★★★☆
Where do British serial killers go on holiday? Caravanning in the Lake District, of course.
The Hunt / Jagten (2012)
★★★★☆
Something is rotten in the state of Denmark, as Thomas Vinterberg’s The Hunt exposes the brutality of blind prejudice faced with the spectre of child abuse.
End Of Watch (2012)
★★★★☆
A long hard look at the brotherhood and bravery of men on the right side of the law, David Ayer’s End Of Watch takes on the mean streets of LA.
Aurora (2010)
★★★☆☆
Darkly ruminative, Cristi Puiu’s Aurora is a slow-burning murder mystery like you’ve never seen before.
Amour / Love (2012)
★★★★☆
An intimate two-hander between Jean-Louis Trintignant and Emmanuelle Riva, Michael Haneke’s Amour sneaks a peek at love behind Parisian closed doors.
The Sapphires (2012)
★★★★☆
Taking on Aborigine rights in Sixties Australia, Wayne Blair’s debut feature The Sapphires is an all-singing, all-dancing feel-good sparkler.