A very personal film, Nanni Moretti’s Mia Madre sees a film director cope with the death of her mother whilst shooting a film with an uncontrollable star.
A love poem to the Italian capital and a searing portrait of its glitterati, Paolo Sorrentino’s The Great Beauty is a virtuoso vision of fiddling while Rome burns.
Our man in the Vatican, Nanni Moretti’s We Have A Pope delights both in the vibrant ritual of the papal conclave and rattling its cardinals’ chasubles.
There’s a lot to celebrate at this year’s London Film Festival – over 300 shorts and features with some gems from some of cinema’s…Read More
With a happiness drive worthy of Amélie, Pierre Salvadori’s Beautiful Lies transcends its farcical plotting and ropey characterisation to deliver a masterclass on filmmaking.