London Film Festival 2014: Serena
Serena by Mark Wilshin It doesn’t look good from the get-go. George (Bradley Cooper) is a hunter on the quest for a near-extinct puma,…
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Serena by Mark Wilshin It doesn’t look good from the get-go. George (Bradley Cooper) is a hunter on the quest for a near-extinct puma,…
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An entertaining modern Western with the magnetic Mads Mikkelsen, The Salvation is gorgeous to look at – but as hollow as a Ten-gallon hat.
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The Wonders by Mark Wilshin Following a farming family living on the brink of bankruptcy, Alice Rohrwacher’s The Wonders is a social realist study…
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War Book by Mark Wilshin Every year the British Government spend three days simulating a national response to the outbreak of nuclear war. Civil…
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Wild by Mark Wilshin Much like John Curran’s Tracks at last year’s London Film Festival, Jean-Marc Vallée’s Wild follows one lone woman Cheryl Strayed…
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An excellent Argentine selection box of intricate short stories; crazy, caustic, and ingeniously clever.
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The Keeping Room The Keeping Room is an unbearably suspenseful feminist revision of the siege story, overturning our expectations by varying the power dynamics…
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If You Don’t I Will by Mark Wilshin With some heavyweight performances from French acting stalwarts Emmanuelle Devos and Mathieu Amalric and an electrifying…
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Rosewater by Alexa Dalby In US satirist Jon Stewart’s clever debut as director and co-screenwriter, Mexican Gail Garcia Bernal stars in the true story…
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Song From The Forest Structured around a liturgy rather than a dramaturgy, Michael Obert’s Song From The Forest is a contemplative study of an…
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The Cut The move to Hollywood, or English-language filmmaking isn’t always easy, to which Michaël R. Roskam’s The Drop can testify. But despite a…
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A Hard Day by Alexa Dalby For Police Detective Ko (Korean star Seon-gyun Lee), it’s been one of those days – and nights. Speeding…
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★★★★★
Exposing India’s labyrinthine judicial system, Chaitanya Tamhane’s debut feature Court brings a slow dread to the impossibility of justice.
Life-affirming and utterly moving, this account of Scottish music icon Edwyn Collins is a truly remarkable achievement in filmmaking.
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