Festival Review: From Afar (2015)
★★★☆☆
With a fantastic performance from Alfredo Castro, Lorenzo Vigas’ From Afar is a delicate but passionless tale of a love that dare not speak its name.
Festival Review: Arabian Nights (2015)
★★★☆☆
A six-hour reflection on the financial crisis in Portugal, Miguel Gomes’ Arabian Nights is an intelligent and visually arresting compendium of uneven tales.
Festival Review: Gold Coast / Guldkysten (2015)
★★★☆☆
Plunging the sorry history of Danish colonialism, Daniel Dencik’s Gold Coast brings a wealth of image and colour to a dark time.
Festival Review: My Nazi Legacy (2015)
★★★☆☆
Revisiting history through the descendants of two high-serving Nazis and a Holocaust survivor, David Evans’My Nazi Legacy bites off more than it can chew.
Festival Review: The Assassin (2015)
★★★☆☆
Glacial beauty with flashes of choreography, Hou Hsiao-Hsien’s The Assassin is a feast for the senses.
Festival Review: Son Of Saul (2015)
★★★★☆
A devastating portrait of life in Auschwitz’ Sonderkommando, László Nemes’ Son Of Saul is a powerful testament of faith.
Festival Review: The Embrace Of The Serpent (2015)
★★★★☆
A beautiful, haunting monochrome vision of a lost world, Ciro Guerra’s The Embrace Of The Serpent exposes the indigenous peoples at risk from the white man.
Festival Review: Gayby Baby (2015)
★★★☆☆
A neatly observed, fly-on-the-wall documentary on gay parents, Maya Newell’s Gayby Baby adds fuel to the fire of Australia’s hottest topic.
Festival Review: The Program (2015)
★★★☆☆
With an outstanding performance from Ben Foster, Stephen Frears’ The Program gets bogged down in intricately retelling the rise and fall of Lance Armstrong.
Festival Review: Tangerine (2015)
★★★☆☆
The energetic and sassy tale of two transgender hookers in West Hollywood, Sean Baker’s Tangerine takes friendship and revenge to the streets.
Festival Review: Virgin Mountain / Fúsi (2014)
★★★★☆
Beautifully paced and scripted, Dagur Kári’s Virgin Mountain is the deft tale of an ageing mummy’s boy who finds both love and himself.
Festival Review: Der Nachtmahr (2015)
★★☆☆☆
A German horror film of Berlin clubs and imaginary creatures, Akiz’s Der Nachtmahr is a pulsating delirium of colourful and haunting images.
Festival Review: A Guy From Fenyang (2014)
★★★☆☆
Uncovering the life and works of Jia Zhangke in his home city, Walter Salles’ A Guy From Fenyang reveals the metropolis behind the man.
Festival Review: Mountains May Depart (2015)
★★☆☆☆
A triptych of melancholy Chinese stories, Jia Zhangke’sMountains May Depart builds an awkward narrative of nostalgia – past, present and future.