BFI LFF 2016: The Handmaiden (2016)
★★★★☆
A sumptuous new adaptation of Sarah Waters’ Fingersmith, Park Chan-wook’s The Handmaiden is a dazzling tale of duplicity and deception.
Asia
BFI LFF 2016: MIRZYA (2016)
★★★★☆
Rakeysh Omprakash Mehra’s stunning Mirzya receives its European premiere at the 60th BFI London Film Festival.
BFI LFF 2016: MA’ ROSA (2016)
★★★★☆
Director Brillante Mendoza’s Ma’ Rosa is a gritty evocation of poverty and survival in the backstreets of Manila starring Cannes Best Actress Jaclyn Jose.
Under the Shadow (2016)
An original supernatural horror movie set in Iran, Under the Shadow is an impressive debut for director Babak Anvari. Under the Shadow CAUTION: Here…
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Festival Review: Cemetery Of Splendour (2015)
★★★☆☆
A visually haunting meeting of souls in a country hospital, Apichatpong Weerasethakul’s Cemetery Of Splendour puts a spectacle of lights over story.
Festival Review: Inside The Chinese Closet (2015)
★★★☆☆
With fake marriage markets and illegal babies, Sophia Luvara’s intimate documentary Inside The Chinese Closet reveals gay men and women shouldering their parents’ burden.
Festival Review: A Dragon Arrives! (2016)
★★★★☆
A multilayered blast of mysterious occurrences in the desert, Mani Haghighi’s A Dragon Arrives! is an enjoyable bafflement.
Festival Review: Crosscurrent (2015)
★★☆☆☆
An ambitious portrait of modern China, Yang Chao’s Crosscurrent is a poetic knot of yearning, mourning and the shifting sands of time.
The Assassin (2015)
★★★☆☆
A quiet, elliptic take on 8th century China combining arthouse and wuxia, Hou Hsiao-Hsien’s The Assassin screams style and accomplishment.
Festival Review: Office (2015)
★★★☆☆
An exuberant musical extravaganza about the financial crisis, Johnnie To’s Office offers an energetic, occasionally brash, satire on capitalism.
Festival Review: An (2015)
★★★☆☆
With cherry blossom, sweet red bean paste and lovable pensioners, Naomi Kawase’s An is a light, soft-centred Japanese fancy.
Festival Review: Our Little Sister (2015)
★★★☆☆
When three sisters become four, Hirokazu Koreeda’s Our Little Sister is a homely rumination on family and female friendship.
Festival Review: A Guy From Fenyang (2014)
★★★☆☆
Uncovering the life and works of Jia Zhangke in his home city, Walter Salles’ A Guy From Fenyang reveals the metropolis behind the man.
Festival Review: Mountains May Depart (2015)
★★☆☆☆
A triptych of melancholy Chinese stories, Jia Zhangke’sMountains May Depart builds an awkward narrative of nostalgia – past, present and future.