Dogs Don’t Wear Pants (2019) – on demand
★★★★☆
Despite its silly title, black comedy Dogs Don’t Wear Pants by J.-P. Valkeapää is a touching – if harrowing – study of an extreme way of overcoming corrosive grief.
★★★★☆
Despite its silly title, black comedy Dogs Don’t Wear Pants by J.-P. Valkeapää is a touching – if harrowing – study of an extreme way of overcoming corrosive grief.
★★★★☆
Hirokazu Koreeda turns to Europe for a French-language family drama with comic undertones that spans the generations in The Truth.
★★★★☆
Fire Will Come is a prophetic, arresting and mesmerising love letter to nature by Oliver Laxe.
★★★★☆
Bacurau by Kleber Mendonça Filho is an exhilarating mixture of genres – political satire, western, science fiction – underpinned by savage political and social comment. It’s a blast.
★★★★☆
A deeply physical coming-of-age gay romance in the dance world, And Then We Danced directed by Levan Akin is an uplifting and inspiring feature about the path to queer liberation.
★★★★☆
The Berlin Film Festival awards presented on 1 March 2020…
★★★★★
Toni Morrison: The Pieces I Am is Timothy Greenfield-Sanders’ spellbinding tribute to a literary treasure that makes you feel as if you have lost a friend.
★★★☆☆
Scottish nouveau dreich, downbeat Run, expanded from a short by director Scott Graham, still has a way to go.
★★★★☆
Celine Sciamma’s Portrait of a Lady on Fire is a sumptuously sensual lesbian love story set in 1770 that comments fiercely on the role of women in society – then and now.
★★★★☆
Nothing exceeds like excess in Michael Winterbottom’s broad satire Greed, starring Steve Coogan as a super-rich high-street-fashion mogul.
★★★★☆
Deceptively titled First Love is Takeshi Miike’s irresistibly anarchic yakuza noir, stuffed with gratuitous violence, comedy, romance and severed heads.
The Personal History of David Copperfield is Armando Iannucci’s quirkily imaginative transformation of Dickens’ novel bringing out its contemporary resonances.
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★★★★☆
The Glasgow Film Festival 2020 will open and close with major features – Proxima and How to Build a Girl – directed by women.