Festival Review: Death In Sarajevo (2016)
★★☆☆☆
Set in the multilayered world of a hotel, Danis Tanovic’s Death In Sarajevo begs the question whether we really need a metaphor for the Balkans.
festivals
Festival Review: Being 17 (2016)
★★★☆☆
Exploring themes of identity, masculinity and desire, André Techiné’s Being 17 is a delicate portrait of adolescent confusion and first love.
Festival Review: Yarden (2016)
★★★☆☆
Adapted from Kristian Lundberg’s autobiographical novel, Måns Månsson’s Yarden is a parable of entitlement that turns welcomingly political.
Festival Review: Kater (2016)
★★★★☆
Set in Austria’s musical circles, Klaus Händl’s sensuous and delicate Kater sees an idyll of gay love torn asunder by a moment of violence.
Festival Review: Fire At Sea (2016)
★★★★☆
Half-documentary, half-fiction, Gianfranco Rosi’s Fuocoammare paints a portrait of life on Lampedusa with its fishing traditions and new waves of migrants.
Festival Review: Boris Without Béatrice (2016)
★★★★☆
Vibrant, ridiculous and bombastic, Denis Côté’s Boris Without Beatrice treads a deliciously new path of metaphor and internalised anxiety.
Hail, Caesar! (2016)
★★★★☆
A riotous romp through Hollywood’s golden age, the Coen brothers’ Hail, Caesar! is a hilarious tribute to the (strangely religious) cult of cinema.
Festival Review: Hedi (2016)
★★★☆☆
A tale of personal and political freedoms, Mohamed Ben Attia’s Hedi finds a troubled revolution in Tunisia’s deserted tourist resorts.
The Survivalist (2015)
★★★★☆
A stunning feature debut for director Stephen Fingleton, The Survivalist is a tense post-apocalyptic thriller with a strangely rural setting.
THE 59TH LONDON FILM FESTIVAL 2015
Opening and closing with the crowning achievements of the 20th century, the 59th London Film Festival brings the battle of the sexes centre-stage.
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Festival Review: Steve Jobs (2015)
★★★★☆
A binary biopic of the computer genius and flawed man, Danny Boyle’s Steve Jobs is a dazzling, moving tale of the digital revolution.
Festival Review: My Golden Days (2015)
★★★☆☆
Childhood, studenthood and falling in love, Arnaud Desplechin’s My Golden Days paints an intriguing and at times erratic portrait of a boy becoming a man.
Festival Review: Take Me To The River (2015)
★★★☆☆
A Californian family comes head to head with its Nebraskan relatives in Matt Sobel’s debut feature Take Me To The River is an indie tale of sexual dysfunction.
Festival Review: The Brand New Testament (2015)
★★★☆☆
God is alive and living in Brussels, Jaco Van Dormael’s The Brand New Testament takes on the Jealous One with quirk and fancy. And an enormous gorilla.