BFI LFF Review: Sunset (2018)
★★★★☆
Sunset is tour de force immersive filmmaking in which László Nemes that captures a chaotic watershed in European history.
Reviews
Film reviews by Dog and Wolf
BFI LFF Review: Birds of Passage (2018)
★★★★☆
In Birds of Passage, directed by Cristina Gallego and Ciro Guerra, the violent birth of Colombia’s drug trade destroys a unique traditional culture.
BFI LFF Review: The Guilty (2018)
★★★★☆
Truth and justice clash in The Guilty (Den skyldige), Gustav Möller’s claustrophobic thriller , where no-one can walk away with their innocence intact.
BFI LFF Review: Monrovia, Indiana (2018)
★★★★☆
In Monrovia, Indiana, veteran documentarian Frederick Wiseman, compassionately chronicles life in small-town America.
BFI LFF Review: The Ballad of Buster Scruggs (2018)
★★★★☆
The Ballad of Buster Scruggs is an anthology of six stories that the Coen Brothers use to hilariously and darkly both overturn and pay homage to the tropes of the pioneering days of the old West.
BFI LFF Review: Colette (2018)
★★★★☆
Keira Knightley dons a corset again to portray France’s greatest woman author Colette from country girlhood to scandalous adulthood in Wash Westmoreland’s Colette.
BFI LFF Review: Widows (2018)
★★★★☆
Steve McQueen’s Widows is a hugely entertaining, violent, female-centred heist thriller that starts with a bang and never stops. It has tension, surprises and multiple gasp-making twists and turns.
Us and Them (2017)
★★★★☆
Joe Martin’s Us and Them is a violent riff on the inequalities of contemporary British society that incense articulate young working-class Danny (Jack Roth, channelling his father Tim) and what he does about it.
BFI LFF 2018 previews (2)
★★★★☆
Previews from the London Film Festival 10-21 October – Shadow, Jinn, The Breaker Upperers, May the Devil Take You and Support the Girls.
BFI LFF 2018 previews (1)
★★★★☆
Previews from the London Film Festival 10-21 October – Wildlife and Crystal Swan.
BFI LFF Review: Crystal Swan (2018)
★★★★☆
The female-centric team of director Darya Zhuk, co-screenwriter Helga Landauer and cinematographer Carolina Costa give Alina Nasibullina a Madonna-esque starring role in post-Soviet black comedy Crystal Swan (Khrustal).
Faces Places (Visages Villages) 2017
★★★★☆
Legendary filmmaker Agnes Varda teams up with photographer JR in a charming creative road trip around France that celebrates the extraordinariness of ordinary people and the power of the imagination.
Climax
★★★★☆
Gaspar Noé’s hallucinogenic Climax is as hard core as its bad trip.
Lucky (2017)
★★★★☆
John Carroll Lynch’s wonderful, poignant Lucky is a fitting career-end for brilliant actor Harry Dean Stanton.