Babyteeth (2019)
★★★★☆
Babyteeth is a vivid new take on coming-of-age directed by Shannon Murphy from a script that Rita Kalnejais adapted from her play of the same title.
★★★★☆
Babyteeth is a vivid new take on coming-of-age directed by Shannon Murphy from a script that Rita Kalnejais adapted from her play of the same title.
★★★★☆
Matteo Garrone’s surreal live-action fantasy takes the Italian classic Pinocchio disturbingly back to its original dark roots.
★★★★☆
Papicha is a stunning female-centred drama freely inspired, its director Mounia Meddour says, by real events in Algeria in the 1990s.
★★★★☆
Major retrospective at Tate Modern with a new look at the extraordinary life and work of Andy Warhol, the pop art superstar.
Make Up is an original coming-of-age horror/drama by first-time director Claire Oakley.
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★★★★☆
The superbly focused French female astronaut in woman-centred Proxima directed by Anna Winocour is torn apart by the conflict between needing freedom to achieve and the pain of separation from her daughter.
★★★★☆
Undocument describes so much human misery that it’s hard to watch – but we must.
★★★★☆
The Artist star is crowned Palm Dog of Palm Dogs 2020 in virtual Cannes ceremony for the award’s 20th anniversary.
★★★★☆
Cathartic documentary following six strangers walking the pilgrim way to Santiago de Compostela.
★★★★☆
Never Rarely Sometimes Always is an award-winning, realistic, forceful film about the difficulty of obtaining an abortion in the US, directed by Eliza Hittman.
★★★★☆
The Whistlers (La Gomera) by Corneliu Porumboiu is a Romanian crime thriller with a twisting plot, lots of corruption and a black comedy feel.
The Man Who Killed Don Quixote by Terry Gilliam is a confusingly intricate blend of past and present, fiction, reality and filmmaking.
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★★★★☆
In Mumbai, in Ritesh Batria’s The Lunchbox, a typical lunchbox accidentally delivered to the wrong person leads to a touching romance by correspondence between two lonely people.
★★★★☆
Sometimes enigmatic and confusing, sometimes fiery with emotion, Pablo Larrain’s intriguing Ema peels the layers off a dance with death.