In Lucrecia Martel’s hallucinatory, dreamlike, absurdist Zama, Spanish colonialists take on South America and lose.
A slowly elegant meditation on intimacy and friendship, Pablo Giorgelli’s Las Acacias will have you screaming from the back seat with glee,”Are we nearly there yet?”
And so, like a wet goat, another year is born; an ideal opportunity to reflect on 2010 and make widescreen resolutions for 2011. You…Read More
Foaming with hit-and-run guilt, Lucrecia Martel’s La Mujer Sin Cabeza is a murky swamp of middle-class morals. These troubled waters run deep.